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SM10
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| Product Name | SM10 |
|---|---|
| Brand | SAMSON |
| Sale Price | Php 19,310.00 |
| Mileage | Points :193.10 |
| 수량 |   |
| Product Code | P0000HCX |
| Product Details | 10ch Rack Mount Line Mixer |
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| Name | Quantity | Price |
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Product Details
Overview:
Ideal for stage, studio and an infinite variety of installation applications, Samson’s SM10 Line Mixer is a versatile and reliable addition to your audio setup. This internally powered, 19-inch rackmount metal chassis unit can be easily integrated into any existing system to more efficiently group your signals.
- The SM10 features ten channels with 1/4-inch stereo line inputs and a balance control for each channel. Two channels include XLR mic inputs. This allows you to blend the relative levels of stereo inputs to your liking. In addition, each channel includes a switch for +4 dBu or -10 dBV line level input.
- For output, the SM10 provides electronically balanced main stereo XLR and 1/4-inch line outputs. The SM10 provides versatile signal routing via Main Mix, Mix B, Monitor and EFX bus outputs, as well as low noise and discrete microphone pre-amplifiers with 48-volt phantom power.
- Two auxiliary sends can also be used to route signals to external effects, or create a separate mix for on-stage monitors. The SM10 features front panel headphone and monitor outputs with dedicated level controls. The mix may be audited with the SM10’s 6-segment LED meter and a flexible meter/headphone source control.
- The generously featured SM10 Line Mixer is right at home on stage, in studios, boardrooms, health clubs, restaurants, houses of worship, and more. Whether your interests lie in audio or video applications, the SM10 Line Mixer brings various signals together for an amazing audio experience.
Features:
- Ten channels (eight 1/4-inch stereo line inputs, two combination XLR-1/4-inch inputs)
- Balance control for each channel
- Switchable +4 dBu or -10 dBV line input level
- Balanced main stereo XLR and 1/4-inch line outputs
- Versatile signal routing
- Low noise, discrete microphone pre-amplifiers with 48-volt phantom power
- Two auxiliary sends
- Front-panel headphone and monitor outputs with level controls
- Flexible 6-segment LED meter/headphone source control
- Center detents for all controls for use in low light situations
- Single 19-inch rackmount metal chassis with internal power supply
Front Panel Features:
1.VOLUME – This knob controls the volume of channel inputs and is used to continuously adjust the loudness of the various signals being blended together at the Main Outputs. There is a detent at the 12 o’clock position of the knob, which indicates unity gain.
2.BALANCE – When the both inputs of a channel are connected, the left input signal is automatically panned hard left and the right input signal is automatically panned hard right. In this case, the Balance knob controls the relative levels of the paired input signals. When the knob is placed at its center detent position, both signals are at equal strength. When moved left of center, left input signal remains at the same strength but the right input signal is attenuated. When the knob is moved right of center, the left input signal remains at the same strength but the right input signal is attenuated.
3. MON (Monitor) Send – The MON send knob allows you to route the signal to the MON outputs. The MON send is pre-fader so the signal is unaffected by the position of the channel Volume control. These sends are usually used to create a separate mix for a monitor system. When the MON send knob is at the 12 o’clock center detent position, the signal is routed with unity.
4. EFX (Effects) Send – The EFX send knob allows you to route the signal to the EFX outputs. The EFX send is post-fader so the level of the signal is determined by the position of the channel Volume control. These sends are usually used to route signal to outboard effects devices. When the EFX send knob is at the 12 o’clock center detent position, the signal is routed with unity.
5. MUTE/CLIP/MIX B – This switch will flash RED when the channel input sig¬nal peaks. To reduce distortion, turn the Volume control counterclockwise until the clip indicator does not light during normal use. When the switch is depressed the channel’s signal path is interrupted to the main mix and the channel is assigned to the MIX B bus.
6. LINE IN VOLUME – The SM10 features two additional stereo Line Inputs (channels 9 and 10) which can be used to return the outputs of the an external effects processor, or to connect the output of any stereo line level device to the main mix.
7. MON Send – The MON signals (see #3) from input channels 1-8 are mixed together and sent to the MON Outputs. Use the MON send control to set the amount of signal being sent to the MON Output.
8. EFX SEND – The EFX signals (see #4) from input channels 1-8 are mixed together and sent to the EFX Output. Use the EFX level controls to set the amount of signal being sent to EFX Output.
9. MAIN OUTPUT LEVEL – This knob determines the final output signal level. Signals from all channels are routed here just before leaving the SM10 via its left and right Main Output jacks. The 12 o’clock center detent position of the control indicates unity gain (no level attenuation or boost).
10. SOURCE Select Switch – The Source select Switch allows you to configure the Output Meter (see #11) and Headphone output (see #15) to monitor the MON, EFX, MIX B and Main Output buses.
11. Output Meter – This six-segment meter shows the continuous output level of the Main Mix, MON, EFX, or MIX B, depending on the position of the SOURCE select switch (see #10). For optimum signal-to-noise ratio, adjust all levels so that program material is usually at or around 0 VU, with occasional, but not steady, excursions to the red segments.
12. MON OUT LEVEL – The SM10 provides a second MON output connector carrying a mono signal of the MON mix. The MON OUT LEVEL control knob is used to set the volume of the MON OUT jack.
13. MON OUT Jack – The left and right MON mix are summed together to a monaural signal and sent out this connector. The signal at the MON OUT jack follows the MON OUT LEVEL (see #12) control knob.
14. HEADPHONE LEVEL – This knob sets the level of the signal sent to the HEADPHONE jack. To avoid possible damage to connected headphones, always turn this all the way off (to the fully counterclockwise position) before plugging in a pair of headphones—then raise the level slowly while listening.
15. HEADPHONE Jack – Connect standard stereo headphones to this jack (via a 1/4” TRS plug) for monitoring of the MON, EFX, MIX B and Main Output buses, depending on the position of the SOURCE select switch (see #10).
Rear Panel Features:
16. Mic/Line Inputs (chan¬nels 1 and 2) - Use these Combo XLR plus 1/4- inch jacks to connect a microphone or line level signal to channels 1 and 2. The XLR inputs provide 48-volt phantom power for use with condenser microphones.
17. Line Inputs - Use these balanced 1/4” jacks to connect line level sources such as synthesizers, drum machines, MP3 players, or effects processors to any of the 8 channels. When connecting monophonic (as opposed to stereo) signal sources, use the left inputs; the Balance control for that channel will then act as a constant level pan control.
18. Input Level Switch – Use this switch to independently set the sensitivity of channels 1-8 line level inputs. When the switch is in the up position the input are set to +4dBu. When the switch is depressed the input is set to -10dBv
19. Stereo LINE IN (channels 9-10) – Two stereo 1/4-inch jacks for connecting stereo line level sources like those from the outputs of effects processors. These inputs can also be used to link multiple SM10’s or to add the output from another mixer to the SM10 without taking up chan¬nel line inputs.
20. MON Output – The signals present at the MON stereo 1/4-inch output are sent from the MON send, which are fed from the input channels’ MON control knobs. In a live sound situation this can be used to create a monitor mix by connecting the MON output to a power amp and monitor speaker.
21. EFX Output – The stereo 1/4-inch EFX Output is used to send a signal to an external signal processor such as a delay or reverb. The signal present at the EFX Output is sent from the EFX bus, which is fed from the input channel’s EFX control knob.
22. MAIN OUTPUTS 1/4-inch Jacks - In live performance applications, these outputs can be used to connect the SM10 to a power amp and speakers. In recording applications, these outputs are used to connect to a stereo device such as computer sound card, MP3, or hard disk recorder. The signals at the Main Out¬puts jacks follow the Main Output level controls.
23. MAIN OUTPUTS XLR Jacks - In live per¬formance applications, these male XLR outputs can be used to connect the SM10 to a power amp and speakers. In recording applications, these outputs can be used to connect to a stereo device such as computer sound card, MP3, or hard disk recorder. The signal at the Main Outputs jacks follow the Main Output level control.
24. Power Switch – Use this switch to turn the SM10 on and off. To avoid potential damage to your speakers, turn the SM10 on before you turn on any connected power amps—and turn it off after the power amps are turned off. The switch should be in the off position when con¬necting the SM10 to the mains.
25. AC Inlet – Connect the supplied IEC cable here.
Specifications:
Inputs
- Microphone: XLR balanced (2)
- Line :1/4” TRS balanced (Ch 1-8), 1/4” stereo (Ch 9-10)
Input Impedance
- Mic :1.5K Ohms
- Line: 23K Ohms (+4 dBu, Ch 1-8) 40K Ohms (-10 dBV, Ch 1-8) 20K Ohms (Ch 9-10)
Maximum Gain
- Mic: 65 dB
- Line: 39 dB
- Line Operating Level: +4 dBu / -10 dBV selectable
Maximum Input Level (1 kHz, ±3 dB)
- Mic Input: -4 dBu
- Line Input: +28 dBu
- Equivalent Input Noise: - 123 dBu unweighted
Outputs
Main Outputs
- Type: 1/4” TRS balanced (2), XLR (2)
- Output Impedance: 200 Ohms Main Out
- Gain Range: -∞ to +15 dB
- Max output level: +22 dBu
- MON (Pre Fade Out): 1/4” impedance balanced mono output (front panel), Stereo MON (rear panel)
- EFX (Post Fade Out): 1/4” unbalanced
- Output Impedance: 100 Ohms
- Headphone: 1/4” TRS Stereo
- Output: (600 Ohm load) 100 mW
System
- Frequency Response: 10 Hz – 23 kHz ±1 dB
- Signal-to-noise ratio: > 90 dB typical
- THD: <0.01% typical
- Crosstalk (1 kHz): -70 dB between input channels -70 dB between input/output channels
- Phantom Power 48 Volts DC
- Power Requirements: 120-240 VAC / 50-60 Hz
- Dimensions :19” L x 8.25” W x 1.75” H 484mm L x 210mm W x 44.5mm H
- Weight :6 lbs / 2.8 kg
Payment
1. Payment by bank transfer with bank account.(ex.BDO, Metro Bank, etc)
2. Payment via PayPal account : PayPal verified account is required.
3. Payment by credit or debit card via PayPal(Visa, Master, JCB, Amex etc.) : PayPal account is NOT required.
4. Payment by credit card(Visa, Master, JCB, Amex etc.) :3D verified credit cards only are eligible for payment by credit card.
5. Payment by bank transfer without bank account.(ex.LBC, Western Union, etc)
For payment by bank transfer without bank account, the customer may pay by internet banking or telephone banking. The customer may also make payment at local banks. The name of the depositor is required to match the name registered as the depositor when placing the order. Payment shall be made within 7 days from placing the order. The order will be automatically cancelled otherwise.
*Important: All Prices in the website are subject to change without prior notice
Shipping
Shipping method : LBC, 2GO, Fedex, DHL, EMS, Air21, AP Cargo, JRC, etc
Covered destinations : Nationwide
Shipping cost : may vary on destination and purchase amount
Shipping time estimate : 2~6 business days(in case of in-stock products). Order-based or imported items may take longer to ship. Please inquire by calling the store or via email whether the item is in-stock or order-based.
Shipment bound for EMS premium regions : The customer may be required to pay additional cost.*Important : Products are to be shipped after the payment is made. Please note that shipping may take longer depending on the products of the order.
International shipments may be subject to import taxes, duties and customs fees, which are levied once your package reaches the country of destination, and are the responsibility of the recipient. In case that the customer refuses to receive the parcel, the products are to be returned to Philippines and will not be shipped again. According costs(shipping, customs and etc) are the responsibility of the customer and will be deducted from the refund.
Returns & Exchanges
Please make sure you have selected right options(e.g. size, color and quantity) prior to completing the order.
Once the order is completed, it is assumed that the customer agreed on our exchange/refund policy.
Exchanges and refunds are accepted only if the exchange/refund request is proven valid for the following reasons.
Eligible for exchanges and refunds:
On condition that the package (Labels, tags) of the products are intact.
- Sold out products
- Wrong item delivered
- Defective products
- Shoddy Goods
Ineligible for returns and exchanges:
- Products with customer-induced damages
- Products whose value is decreased significantly due to elapsed time or other reasons and are not in condition for re-sale
- Change of mind
* (Please contact us or Email customer service for details)
Exchange/refund procedure
For exchanges/refund, the customer is required to post an exchange/refund request on the “Q&A” board.
The request is to include the reason for exchanges/refunds and the order number.
In case of exchange/refund request due to product defects or wrong item delivered, detailed photos of the products are also required. Exchanges/refunds will be made shortly upon careful examination and confirmation on the reported defects.
The shipping costs occurring from product defects or wrong item delivered are the responsibility of the channel.com.ph.
>Warranty
channel.com.ph will repair any product under warranty at no charge or replace the unit of the exact model if deemed necessary.
If repair of returned merchandise is necessary due to neglect, damage, misuse, or improper repair by others, a charge will be made for labor, parts, and return freight.
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