LIVE1604

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LIVE1604

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Basic Information
Product Name	LIVE1604
Brand	ALTO
Sale Price	Php 40,800.00
Mileage	Points :408.00
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Product Code	P0000HZN
Product Details	16ch Analog Mixer
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Product Details

Overview:

Professional Mixing Features

The Alto Professional Live 1604 is a pro 16-channel, 4-bus mixer equipped with the tools you need to create the perfect mix. With flexible routing options and a multitude of onboard DSP tools, Live 1604 fits the demands of nearly any live performance environment. It features 10 balanced XLR inputs with switchable phantom power, 3-band EQs with sweepable mids for additional tonal shaping, four aux sends per-channel for external effects and monitoring, and a 9-band graphic EQ for main or monitor outputs. A headphone jack with an independent level control enables additional monitoring and mixing. 60mm faders with LED meters provide precise control and visual feedback for accurate, hands-on mixing. With its diverse connectivity options, Live 1604 can handle any sized event from small coffee house gigs to mid-sized ensembles to full-stage rock bands.

Analog Compression & Superior Sound Quality

Live 1604 offers high-fidelity sound and high-quality DSP tools in a single package. Each microphone channel is outfitted with a high-headroom ultra-low-noise DNA™ microphone preamp for unprecedented sound quality and a robust audio signal path. Live 1604’s high headroom results in cleaner mixes, a purer signal path, and loud, punchy audio. Onboard analog compression (channels 1-6) helps control dynamics and gel instruments together for a cohesive, defined mix. With high headroom, pristine sound, and built-in dynamic control, Live 1604 ensures that the full dynamic range of your mix comes across with striking clarity.

USB Audio Interface

Record your mix directly to a Mac or PC with a single USB connection. Live 1604’s built-in USB port allows engineers, producers, and performers to convert two channels of 24-bit audio (Main Mix or Sub Mix 1/2) straight to a computer. Record live performances, band practices, theater performances, speaking events, and any other live sound event onto your computer for additional editing, mixing, and post-production. The USB connection is bi-directional, enabling sound files stored on your computer to be streamed to and played through Live 1604.

100 High-Quality Alesis DSP Effects

Live 1604 comes ready to handle any mixing situation with premium 24-bit Alesis effects built right into its design. Select from 100 DSP effects that give you additional creative control in any mixing environment. Choose from room and space delays, small and large hall acoustics, plate and spring reverbs, flangers, choruses, and more. The effects presets make it easy to dial in your favorite sound or experiment with different effect settings on the fly.

Color-coded Interface

Often, live sound environments are dimly lit and offer poor visibility to the mixing engineer. Live 1604 solves this problem by color coding each section of the mixer and providing brightly colored knobs so you can quickly and easily find what you need to adjust. Blue, green, red, yellow and white pots are instantly easy to identify in low lighting. LED indicators for output level, peak, and phantom power also assist in making sure that you have multiple visual cues that reflect everything you're hearing.

Features:

10 XLR inputs with DNA(TM) microphone preamps
Dynamic compression (channels 1-6)
3-band EQ with sweepable mids
4 aux sends; pre/post switching on sends 1+2
60mm faders with mute and PFL/AFL solo functions
100 Alesis DSP effects
USB audio connectivity with level control
Balanced XLR, balanced/unbalanced 1/4” outputs
Headphone out with independent level control
Switchable Phantom Power

Applications:

Small/Mid-sized PA systems
Gymnasiums, fitness centers, and dance studios
Houses of worship
Theaters
Bars, restaurants, clubs
Band and Mobile DJ systems
Special events, presentations, and weddings

Top Panel Features:

1. Mic Input: Connect a microphone or line-level device to these inputs with an XLR cable.

2. Line Input: Connect line-level devices to these inputs with 1/4" cables.

3. Insert: Use a standard 1/4" TRS cable to connect an external processor (such as a compressor, limiter, external EQ unit, etc.) to this jack. The signal will be taken after the channel's gain control and returned before the channel's EQ controls. The tip of the TRS connection is the send, and the ring is the return.

4. Gain: Adjusts the channel audio level (pre-fader and pre-EQ gain). Adjust this so that the Signal LED lights up.

5. Peak LED: The LED will flash if the signal is clipping. If this happens, decrease the setting of the Gain knob.

6. Compressor: Adjusts the amount of compression on the channel, applied by the mixer's built-in compressor. The LED next to the knob will light up when the compressor is on.

7. Low Cut Filter: When this button is depressed, that channel's audio will be sent through a 75 Hz low-frequency filter with a slope of 18 dB per octave. This is useful for reducing low-frequency noise when using microphones.

8. Hi EQ: Adjusts the high (treble) frequencies of the channel.

9. Mid EQ: Adjusts the mid-range frequencies of the channel.

10. Mid Freq: Adjusts the mid-range frequency band (100 Hz – 8 kHz) affected by the Mid EQ knob.

11. Hi-Mid EQ: Adjusts the high-mid-range frequency (3 KHz) of the channel.

12. Low-Mid EQ: Adjusts the low-mid-range frequency (500 Hz) of the channel.

13. Low EQ: Adjusts the low (bass) frequencies of the channel.

14. Aux 1/2 Knobs: Adjusts the level of the signal sent from that channel to the corresponding Aux bus. Use the Aux Post/Pre button to set whether the level is sent pre-fader or post-fader

15. Aux Post/Pre : When raised, the Aux 1/2 knobs control the post-fader level of the signal sent from that channel to the corresponding Aux bus. When depressed the signal is pre fader.

16. Aux 3 knob : Adjusts the post fader level of the signal sent from that channel to the Aux 3 bus

17. Aux 4 / DFX Knob: Adjusts the post-fader level of the signal sent to the mixer's effects processor, whose level is controlled by the DFX Return Fader (DFX Rtn). If an external effects processor is connected to Aux Send 4, then the signal will be sent there instead of to the mixer's effects processor

18. Channel Pan / Balance: If this knob is labeled Pan, it adjusts the (mono) channel's position in the stereo field. If the knob is labeled Bal, it adjusts the balance between the left and right channels of that stereo signal.

19. Channel Mute: Press this button to mute/unmute the channel. The LED next to the button will light up when the channel is muted.

20. Channel Solo: Press this button to solo/unsolo the channel. The LED next to the button and the Solo Active LED will light up when the channel is soloed. Use this to view its level in the LED Meters and to audition its audio alone in the Control Room Mix.

21. Channel Fader: Adjusts the audio level on the channel.

22. Output Buttons : Depress any combination of these buttons to send the channel's post fadersignal to the corresponding outputs : Sub 14-2, Sub 3-4 and or Main L/R

23. Signal LED (Sig): Indicates that the channel's incoming audio signal is within an optimal range.

24. Control Room Outputs (Ctrl Out): Use standard 1/4" TRS cables to connect these outputs to your control room (booth) monitors or amplifier system.

25. Subgroups Outputs: Use standard 1/4" TRS cables to connect these outputs to your monitoring amplifier system, and control their levels with the Subgroup Faders. You can use these outputs for group processing or for sending certain channels to a destination other than the Main Mix.

26. 2-Track Inputs (2 Track In): Connect these inputs to the outputs of an external sound source using a standard stereo RCA cable (sold separately). Use the 2 Track In Source button to send this signal either to the Main Mix Outputs or to the Control Room Outputs (Ctrl Out).

27. 2-Track Outputs (2 Track Out): Connect these outputs to the inputs of an external recording device using a standard stereo RCA cable (sold separately).

28. Aux Send: Use 1/4" TRS cables to connect these outputs to the inputs of an external amplifier or active monitor. Use the Aux Send knobs on each channel to control the level of the signal sent to these outputs. This is useful for creating a custom monitor mix for onstage musicians.

29. Aux Sends Knobs: Use these knobs to control the overall level of the signal sent to the Aux Sends. (Use the Aux 1-4 Knobs on each channel to control the signal sent here from each channel.)

30. Aux Sends Solo: Depress these buttons to solo that channel in the Phones Outputs.

31. Aux Return Knob (Aux Rtn): Controls the audio level sent into the Aux Return (Aux Rtn) inputs. The first and second knobs control the Aux Return levels sent to the Main Mix

32. Aux Returns to Aux Sends: Use these knobs to control the level of the signal sent from the corresponding Aux Return to the Aux Send bus with the same number. This is helpful when using cascading mixers (e.g., sending the submixer's Aux Sends to this mixer's Aux Returns, allowing the submixer's Control Room Mix to be sent to this mixer's subgroups and then into its Control Room Mix).

33. Aux Return 3 Routing: When this button is depressed, the signal sent into Aux Return 3 will be routed to the Control Room Mix. When this button is raised, the signal is sent to the Main Mix.

34. Aux Return 4 Routing: Depress any combination of these buttons to send the signal sent into Aux Return 4 to the corresponding outputs: Sub 1/2 (Subgroups 1 and 2), Sub 3/4 (Subgroups 3 and 4), and/or the Main Mix (Main Outputs).

35. Aux Return Solo: Depress this button to solo Aux Returns 1-4 in the Control Room Mix.

36. Graphic Equalizer: When the EQ On/Off switch is on (depressed), you can use these

controls to adjust the equalization of the main mix.

37. EQ On/Off: Enables or disables the Graphic Equalizer.

38. Main Out / Monitor Out: When this button is raised, the Graphic Equalizer will affect the signal sent to the Main Mix Outputs. When this button is depressed, the Graphic Equalizer will affect the signal sent to the Aux 1/2 (Mon) Output.

39. Effect Selector: This knob determines what effect the mixer's internal effects processor will apply to the various channels. Turn the knob to change the effect number, and push the knob to select it. The display next to the DFX Mute button will show the preset number. Each channel can send different levels of audio to the processor by adjusting its DFX Knob. See the Effects section for an explanation of the available effects.

40. DFX Mute: Press this button to mute/unmute the effects.

41. DFX Peak LED: The LED will flash if the signal is clipping. If this happens, decrease the setting of your source channels' DFX Knobs. When the effects processor is muted, the LED will be solidly lit.

42. DFX Out to Aux 1/2: These knobs control the level of the signal sent from the effects processor to Aux Sends 1 and 2.

43. DFX Out to Main: This knob controls the level of the signal sent from the effects processor to the Main Outputs.

44. Phones Output: Connect 1/4" stereo headphones to these outputs. The Phones Volume knob controls the volume.

45. Control Room Source: When any combination of these buttons is depressed, the signals from those sources will be heard in the Control Room Mix: Main Mix, Sub 1/2 (Subgroups 1 and 2), and/or Sub 3/4 (Subgroups 3 and 4).

46. Phones Volume: Adjusts the volume of Phones Output.

47. Control Room Volume: Adjusts the volume of Control Room Outputs (Ctrl Out).

48. 2 Track In Source: Depress the 2Tk In button to include the 2 Track In signal with the Control Room Mix. Depress the 2Tk to Main button to include the 2 Track In signal with the Main Mix.

49. 2 Track Level: Adjusts the level of the 2 Track In signal.

50. Subgroup Fader: Adjusts the level of the corresponding Subgroup.

51. Subgroup Assignments: Depress any combination of these buttons to assign their corresponding Subgroups (beneath them) to that channel (Left or Right) of the Main Mix,

52. Main Fader: Adjusts the level of the Main Mix Outputs.

53. LED Meters: Shows the audio level of the Main Mix Outputs or the Control Room Outputs (Ctrl Out), depending on the position of the Control Room Source buttons. The Clip LED can light up occasionally, but if it happens too often, reduce the volume of the mix and/or individual channels.

54. Power LED: Illuminates when the mixer is on.

55. Phantom Power LED: Illuminates when the Phantom Power switch is on.

56. Level Set: Illuminates when the LED Meters are showing the pre-fader audio level of any actively soloed channels rather than those of the Main Mix or Control Room Mix. The Solo Mode button must be in the raised position (PFL) (changes to fader levels will not affect the LED meters and the level heard).

57. Solo Active: Illuminates when the LED Meters are showing the after-level audio level of any actively soloed channels rather than those of the Main Mix or Control Room Mix. The Solo Mode button must be in the depressed position (AFL) (changes to fader levels will affect the LED meters and the level heard).

58. Solo Mode: When raised, the audio from a channel whose Solo button is depressed will be heard pre-fader (PFL). When depressed, the audio will be heard post-fader (afterfader or AFL).

59. USB Power Connection: You can use this USB port to connect and power (or charge) a device that requires power from a 5V USB bus.

Rear Panel Features:

1. Power In: Use the included power cable to connect the mixer to a power outlet. While the power is switched off, connect the power cable into the mixer first, then connect the power cable to a power outlet.

2. Fuse Cover: If the fuse is broken, use a screwdriver or other tool to lift this tab, and replace the fuse with a fuse with the same rating (printed just above the Power In). Using a fuse with an incorrect rating can damage the unit and/or fuse.

3. Power Switch: Powers the mixer on and off. Turn on the mixer only after connecting all of your input devices but before turning on your amplifiers. Turn off amplifiers before you turn off the mixer.

4. Phantom Power: Activates/deactivates phantom power. When activated, phantom power supplies +48V to the XLR mic inputs. Please note that most dynamic microphones do not require phantom power, while most condenser microphones do. Consult your microphone's documentation to find out whether it needs phantom power.

5. Main Mix Outputs: Use standard XLR or 1/4" TRS cables to connect either pair of these outputs to your loudspeakers or amplifier system. Use the Main Fader to control the level of these outputs.

6. Main Mix Pad: When this button is depressed, the signal sent to the Main Mix Outputs is reduced by 10 dB. When raised, the signal is increased by 4 dB. Set this switch depending on the nominal operating level of your equipment; professional-grade equipment works at a nominal +4 dBu while consumer-grade equipment works at a nominal -10 dBV.

7. Main Mix Insert: Use a standard 1/4" TRS Y-cable to connect an external processor (such as a compressor, limiter, external EQ unit, etc.) to this jack. The signal will be taken after the Graphic Equalizer and returned before the Main Fader. The tip of the TRS connection is the send, and the ring zis the return.

8. USB Port: Use a standard USB cable to connect this USB port to a computer. The mixer can send or receive audio to or from your computer through this connection.

9. Record: This switch determines what audio is sent to the computer from the mixer's USB Port: Subgroups 1 and 2 (Sub 1/2) or the Main Mix.

10. Play Back: This switch determines where the audio sent from the computer (to the mixer's USB Port) will be routed when it returns to the mixer: Channels 23/24 (Ch 23/24) or the Main Mix.

11. DFX Out: Use a standard 1/4" TRS cable to connect this output to an amplifier system. The signal from the mixer's effects processor will be sent to this output.

12. Bypass: Connect an optional standard 1/4" TS footswitch (sold separately) to this input. You can use the footswitch to activate or deactivate the mixer's effects processor.

13. Stereo Aux Return: Connect the outputs of an external device to these inputs with 1/4" mono cables. If your source is mono, plug it into the left jack and it will be heard on both the left and right sides.

Sample Application/Connection Diagram:

What's in the Box?

Live 1604
Power Cable
User Guide
Safety & Warranty Manual

Specifications:

Mono Input Channels

Microphone inputs....................: Electronically balanced, discrete input configuration
Frequency response: .................20 Hz to 20 kHz, +0.5 dB
THD+N: ...................................<0.005% at 0 dBu, 1 kHz
Gain range:................................ 0 dB to 50 dB (Mic)
SNR: .......................................90 dB

Line Inputs Electronically balanced

Frequency response:...................... 20 Hz to 20 kHz, +0.5 dB
THD+N:....................................... <0.03% at 0 dBu, 1 kHz
Sensitivity range:.......................... -15 dBu to 30 dBu

Impedances

Microphone inputs: .....................51.1 KΩ
Channel insert return:..................200 KΩ
All other inputs:...........................>100 KΩ
2-Track outputs...........................10 KΩ
All other outputs: ........................20 KΩ

Equalization - Mono Channels

High-shelving................... ±15 dB @ 12 kHz
Mid-bell (mono):.................±15 dB sweep able from 100 Hz — 8 KHz
Low-shelving:....................±15 dB @ 80 Hz

Equalization - Stereo Channels

High-shelving:................. ±15 dB @ 12 kHz
High-Mid-bell (mono): .......±15 dB @ 3 KHz
Low-Mid-bell (mono):.........±15 dB @ 3 KHz
Low-shelving:....................±15 dB @ 500 Hz
Main EQ:...........................9 EQ bands (63 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz, 16 kHz), ±15 dB

DSP Section (DFX)

A/D & D/A converters:.............. 24-bit
DSP Resolution:........................24-bit
Effects:.....................................10 DSP effects families with 10 variations available per family
Presets:..................................100 total
Controls:.....................................Rotary encoder to select preset, DSP mute switch, peak LED indicator

Main Mix

Noise (bus noise):............... Fader 0 dB, channels muted: -84 dBr (ref: +4 dBu) || Fader 0 dB, all input channels assigned & set to unity gain: -73 dBr (ref: +4 dBu)
Phantom Power................... Mic Pin2/Pin3 and Pin1 48±2V

Power Supply

Main voltage: ................USA/Canada: 100-120 VAC ~60 Hz || UK/Australia: 240 VAC ~50 Hz || Europe: 210-240 VAC ~50 Hz
Power consumption: ......35 W
Fuse:............................ 1.25 A
Main connection:.............Standard IEC receptacle
Dimensions.................... (w x d x h) 19.4” x 16.4” x 3.1” / 492mm x 417 mm x 79 mm
Weight............................ 13.1 lbs. / 5.9 kg

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