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QU PAC

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Product Name QU PAC
Brand ALLEN&HEATH
Sale Price Php 99,700.00
Mileage Points :997.00
수량 수량증가수량감소
Product Code P0000IGI
Product Details Ultra Compact Digital Mixer with Touchscreen Control
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ALLEN & HEATH QU-PAC

ULTRA COMPACT DIGITAL MIXER

 WITH TOUCHSCREEN CONTROL


Overview:

Qu-Pac takes the power and legendary quality of the Qu family and shrinks it into an uber-compact desk or rack mount format. Qu-Pac frees you to mix from your iPad, but the full functions of the mixer can also be accessed from the front panel and touchscreen.

With custom settings and Cat5 expansion up to 38 inputs, Qu-Pac provides a scalable, failsafe solution for hardworking bands, schools, hotels, corporate events, live music bars, conferences, personal mixing and many more scenarios requiring a pro mixing solution in a tiny footprint.

User permissions and the customizable Qu-Control screen make Qu-Pac convenient and safe for day-to-day use by non-technical staff.





QU-PAD

Add the Qu-Pad iPad app to your Qu setup and you’re free to adjust the monitors on stage, roam around the venue whilst tweaking the PA, and then mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi* and gives instant access to all live mixing parameters and settings.
Qu-Pac_iPad
TOUCH CONTROL

Qu-Pac’s 5 inch, 800 x 480, sixteen million colour Touchscreen and its dedicated data encoder form the heart of the Qu interface, providing super-fast, easy access to all settings. The user-friendly interface has been designed with clarity in mind. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.

The Qu-Control key brings up a fully customizable screen which gives access to channels and settings tailored to the user and application. Several ‘widgets’ can be assigned to the page, these include channel levels, mutes and assignment on/off switches and are arranged to suit the user requirement, for example as a source selection and level control of background music to one or multiple zones.
Qu-Pac_Touch-Screen-2
ANALOGIQTM PREAMPS

Our AnalogiQ total recall preamps feature zero crossing detection and an advanced padless 1dB step gain stage, closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high class, low latency 24bit analogue to digital converters matched to high quality 24bit digital to analogue converters to deliver the required outputs. The AnalogiQ design has been refined to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.
Qu-Pac_Analog

DSNAKETM

Qu mixers are self-contained, so if you’ve already got the analogue cables you’re good to go. If you’re thinking of trading in the copper multicore for a Cat5 digital snake, Qu’s dSNAKE port has you future-proofed, allowing connection to a combination of AR2412, AR84 or portable AB168 AudioRacks

dSNAKE is our proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m / 390’. So if you’re mixing FoH you can place your I/O on the stage and run a single Cat5 cable back to the Qu mixer in the mix position.

Qu-24_dSnake_Feature

ILIVE FX

Qu’s dynamics and FX algorithms are derived from the FX used in our iLive pro touring series. Some of the world’s most respected audio engineers have chosen to use iLive’s FX on tour in preference to top-end plug-ins and external FX units. All Qu models boast 4 stereo iLive FX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more.

The FX library has the ability to grow with future firmware releases. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ.

USB AUDIO STREAMING

Qu’s built-in interface streams multitrack audio to your Mac or PC via a flexible patching system: all Input channels and the Main LR can be recorded at the same time, or you may choose to record something different such as FX returns or a pair of mixes.

The returns from the computer can be assigned to the Input  channels. The interface is class-compliant on Mac OS X – and drivers are available for Windows systems. Either way, it will be recognized straightaway by any DAW supporting ASIO or Core Audio, including Logic, Cubase, Reaper, and Pro Tools.


Qu-Pac_Qu-Drive

QU-DRIVE

Forget soundcard drivers and software setup, Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB hard drive. Capturing multitrack recordings of your shows has never been so easy. Mixes and FX returns can be recorded alongside channels, and multitrack audio can be played back to the mixer for virtual sound-checks.

An independent set of controls is provided for quick stereo recording of the main LR or other mix outputs, and a 2-track USB return can be routed to ST3 for playback of stereo WAV files such as walk-in music.


CHANNEL DUCKER

An advanced yet easy to use Ducker is available on every channel. It can be inserted on the fly on any number of Inputs and Stereo Groups, providing auto signal attenuation and then gently restoring the level to aid the operator in endless applications: reduce the level of background music when a single microphone or mic mix is in use, for example during live announcements, or give a chairman microphone priority over others. Setup is a breeze, with the option to share Ducker settings across multiple channels when in Gang mode.
Qu-Pac_Touch-Screen

ARMED TO THE HILT

Qu mixers are equipped with 5 cores of high efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording / playback and Ethernet. Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response.

The mixer’s DSP farm exploits next generation dual core DSPs. With plenty of DSP power under the hood the channel processing is only using a fraction of capacity, so Qu is future-proofed, with ample room for updates and extra functionality.

The DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix.

Qu-Chrome-AMM
ME PERSONAL MIXING SYSTEM

Qu mixers are fully compatible with our ME Personal Mixing System. Any number of ME-1 personal mixers can be chained from the dSNAKE port (or from an AR2412 / AB168 AudioRack if you’ve got one connected to the dSNAKE port). Each performer can be given tailored control over their own mix, leaving the engineer free to focus on the audience experience.

Qu-16_ME-Personal-Mixing-System

Feature

  • 16 acclaimed AnaLOGIQTM recallable preamps

  • 16 on-board Mic / Line Inputs (XLR / TRS)

  • Expandable up to 38 inputs via dSNAKETM

  • 3 Stereo Inputs (TRS)

  • 32 Mono + 3 Stereo Input Channels

  • 12 on-board Mix Outputs (XLR)

  • 4 Stereo Groups

  • 2 Stereo Matrix Outs

  • AES Digital Out

  • 4 DCA Groups

  • 4 Mute Groups

  • Qu-Pad iPad App for all live mixing controls

  • Qu-You iPhone App for personal monitoring

  • Qu-Drive direct Multitrack Recording / Playback on USB drives

  • 15 Soft Keys

  • 16 Custom Select keys

  • Qu-Control custom screen to suit application

  • 4 FX Engines

  • 4 FX Sends / Returns

  • 32×32 USB Audio Interface

  • 5” Touchscreen

  • iLive FX Library

  • Compatible with ME Personal Mixing System

  • Trim, polarity, HPF, gate, insert / ducker, 4-band PEQ, compressor and delay on all Inputs

  • Insert, 4-band PEQ, 1/3 octave GEQ, compressor and delay on all Mix outputs

  • Built-in Signal Generator

  • RTA with Peak Band indication


Specifications:

  • Inputs
  • Mic/Line Inputs-----------------Balanced, XLR and 1/4" TRS jacks, fully recallable
  • Input Sensitivity:----------------- -60 to +5 dBu / -50 to +15 dBu (XLR / TRS)
  • Analog Gain:----------------- -5 to +60 dB, 1 dB steps
  • Maximum Input Level:----------------- +19 / +29 dBu
  • Input Impedance:----------------- >5 kOhms (XLR), >10 kOhms (TRS)
  • THD+N, Unity Gain 0 dB: 0.0005%, -89 dBu (20 Hz to 20 kHz, direct out @ 0 dBu, 1 kHz)
  • THD+N, Mid Gain +30 dB: 0.001%, -83 dBu (20 Hz to 20 kHz, direct out @ 0 dBu, 1 kHz)
  • Stereo Line Inputs----------------- ST1, ST2 Connector: Balanced, 1/4" (6.3 mm) TRS jacks, half-normalled
  • ST3 Connector:----------------- Unbalanced 1/8" (3.5 mm) mini jack
  • Input Sensitivity----------------- (ST1, ST2, ST3): +4 /0 dBu, nominal
  • Trim:----------------- +/-24 dB
  • Maximum Input Level----------------- (ST1, ST2, ST3): +22 /+18 dBu
  • Input Impedance:----------------- >7 kOhms
  • Outputs
  • Line Outputs----------------- Mix 1 to 10 & LR Out: Balanced XLR
  • Output Impedance:----------------- <75 ohms
  • Nominal Output:----------------- +4 dBu = 0 dB meter reading
  • Maximum Output Level: -----------------+22 dBu
  • Residual Output Noise:----------------- -90 dBu (muted, 20 Hz to 20 kHz)
  • Stereo Output   Stereo Alt Out & 2 Trk Out :----------------- Balanced 1/4" (6.3 mm) TRS jacks
  • Source (Alt Output/2 Trk Output):----------------- Patchable/LR post fade
  • Output Impedance:----------------- <75 ohms
  • Nominal Output:----------------- +4 dBu = 0 dB meter reading
  • Maximum Output Level:----------------- +22 dBu
  • Residual Output Noise:------------------90 dBu (muted, 20 Hz to 20 kHz)
  • AES Digital Audio Outputs ----------------- 2-channel, 48 kHz sampling rate,XLR Out,2.5 Vpp balanced terminated 110 ohms
  • dSNAKE
  • Inputs-----------------Remote source for CH1-32, ST1, ST2, ST3
  • Outputs ----------------- Patchable from Mix 1-10, LR, Grp 1-8, MTX 1-4
  • Compatible with AudioRacks AR2412, AR84, AB168
  • Compatible with ME personal mixing system
  • System
  • Dynamic Range----------------- 112 dB
  • Frequency Response-----------------     20 Hz to 20 kHz (+0/-0.5 dB)
  • Headroom-----------------         +18 dB
  • Operating Level----------------- Internal Operating Level: 0 dBu
  • Alignment-----------------         dBFS: +18 dBu = 0 dBFS (+22 dBu @ XLR output)
  • Calibration-----------------        Meter Calibration: 0 dB meter = -18 dBFS (+4 dBu @ XLR output)
  • Indicators-----------------          Meter Peak Indication: -3 dBFS (+19 dBu @ XLR out), multi-point sensing
  • Meter Signal Indication: -48 dBFS (-26 dBu @ XLR out)
  • Meter Type: Fast (peak) response
  • Sampling Rate----------------- 48 kHz +/-100 PPM
  • Converters-----------------24-bit Delta-Sigma
  • Latency----------------- 1.2 ms (local XLR in to XLR out) 0.7 ms (local XLR in to AES out)
  • Operating Temperature-----------------  32 to 95°F (0 to 35°C)
  • Power-----------------   Mains Power:100-240 VAC, 50/60 Hz, 150 W maximum
  • USB
  • USB Audio----------------- Qu-Drive: USB A
  • Device: Use a USB hard drive (not a USB key)
  • Stereo Record: 2-channel, WAV, 48 kHz, 24-bit, patchable
  • Stereo Playback: 2-channel, WAV, 44.1 or 48 kHz, 16- or 24-bit, to ST3
  • Multitrack Record: 18-channel, WAV, 48 kHz, 24-bit, patchable
  • Multitrack Playback: 18-channel, WAV, 48 kHz, 24-bit
  • USB Audio Streaming: USB B, Core Audio compliant
  • Send (upstream): 32-channel, WAV, 48 kHz, 24-bit
  • Return (downstream): 32-channel, WAV, 48 kHz, 24-bit
  • Controls
  • Touchscreen----------------- 5" TFT, 800 x 480 resolution
  • Softkeys-----------------10
  • Groups----------------- Mute Groups: 4 DCA Groups: 4
  • Network----------------- TCP/IP Ethernet for MIDI commands and iPad app
  • Input Processing
  • Source-----------------  Channels 1 to 32: Local, dSNAKE, or USB
  • ST1, ST2: Local, dSNAKE, or USB
  • ST3: Local, dSNAKE, or USB Stereo
  • USB Global Source: Qu-Drive or USB B Streaming
  • Stereo Linking----------------- Stereo Linking: Odd/even input pairs
  • Parameters Linked: EQ, dynamics, insert, delay, assignments, sends
  • Link Options: Preamp, polarity, sidechains, fader, mute, pan
  • Polarity----------------- Normal & reverse
  • HPF-----------------      12 dB/octave, 20 Hz to 20 kHz
  • Insert -----------------   Assign FX1-4 into input channels
  • Delay-----------------    Up to 85 ms
  • Gate-----------------     Self-key sidechain Threshold: -72 to +18 dBu
  • Depth: 0 to 60 dB Attack: 50 μs to 300 msHold: 10 ms to 5 s Release: 10 ms to 1 s
  • Equalizer-----------------4-band fully parametric, 20 Hz to 20 kHz, +/-15 dB
  • Band 1: Selectable LF shelving (Baxandall), bell
  • Band 2 & 3: Bell
  • Band 4: Selectable HF shelving (Baxandall), bell
  • Bell Width: Non-constant Q, variable, 1.5 to 1/9 octave
  • Compressor
  • Self-key sidechain
  • Threshold: -46 to 18 dBu
  • Ratio: 1:1 to infinity
  • Attack: 300 μs to 300 ms
  • Release: 100 ms to 2 s
  • Knee: Soft or Hard
  • Types: Peak manual, RMS manual, SlowOpto, PunchBag
  • Mix Processing
  • USB Output -----------------Channel Direct Out to USB: Follow fader, follow mute (global options)
  • Source Select (Global): Post-preamp, pre-EQ, post-EQ, post-delay
  • Insert----------------- Assign FX into Mix channels
  • Delay    Up to 170 ms
  • Equalizer----------------- Graphic EQ: Constant 1/3 octave, 28 bands from 31 Hz to 16 kHz, +/-12 dB
  • Parametric EQ: 4-band fully parametric, 20 Hz to 20 kHz, +/- 15 dB
  • Band 1: Selectable LF shelving (Baxandall), bell
  • Band 2 & 3: Bell
  • Band 4: Selectable HF shelving (Baxandall), bell
  • Bell Width: Non-constant Q, variable, 1.5 to 1/9 octave
  • Compressor-----------------Self-key sidechain
  • Threshold: -46 to 18 dBu
  • Ratio: 1:1 to infinity
  • Attack: 300 μs to 300 ms
  • Release: 100 ms to 2 s
  • Knee: Soft or Hard
  • Types: Peak manual, RMS manual, SlowOpto, PunchBag
  • Effects-----------------Internal FX: 4x RackFX engines, Send>Return or Inserted
  • Types: Reverbs, delays, gated reverbs, ADT, chorus, symphonic chorus, phaser, flanger
  • 4x Dedicated Stereo FX Returns: Fader, pan, mute, routing to Mix/LR, 4-band PEQ
  • Audio Tools
  • PAFL----------------- PFL or stereo in-place AFL
  • 0 to -24 dB trim
  • 85 ms delay
  • Talkback----------------- Assignable to any mix
  • 12 dB/octave HPF
  • Signal Generator----------------- Assignable to any mix
  • Sine, white, pink, bandpass noise
  • RTA----------------- 31-bands, 1/3 octave 20 Hz to 20 kHz
  • Follows PAFL source
  • General
  • Dimensions (WxDxH)-----------------    Desk mounted: 17.3 x 7 x 7" (440 x 180 x 181 mm)
  • Rack mounted: 19 x 6.9 x 7" (483 x 174 x 181 mm), 4U
  • Weight-----------------14.5 lb (6.6 g)


Accessories

  • AB168 – 16 inputs, 8 outputs portable AudioRack with dSNAKETM connection and expansion port
  • AR2412 – 24 inputs, 12 outputs AudioRack with dSNAKETM connection, expansion port and dedicated port for personal monitoring
  • AR84 – 8 inputs, 4 outputs AudioRack with dSNAKETM connection
  • AH9650 – 100m drum of Etherflex cable with Neutrik EtherCon locking connectors
  • AH9981 – 50m drum of EtherFlex Cat5 with locking Neutrik EtherCon connectors
  • AH9651 – 20m Etherflex cable with Neutrik EtherCon locking connectors.
  • AH9997 – 2m cable with Neutrik EtherCon locking connectors
  • LEDLamp – variable brightness 18” gooseneck lamp
  • AP9933 – Qu-Pac carry bag



Payment

1. Payment by bank transfer with bank account.(ex.BDO, Metro Bank, etc)

2. Payment via PayPal account : PayPal verified account is required.

3. Payment by credit or debit card via PayPal(Visa, Master, JCB, Amex etc.) : PayPal account is NOT required.

4. Payment by credit card(Visa, Master, JCB, Amex etc.) :3D verified credit cards only are eligible for payment by credit card.

5. Payment by bank transfer without bank account.(ex.LBC, Western Union, etc)

 

 For payment by bank transfer without bank account, the customer may pay by internet banking or telephone banking. The customer may also make payment at local banks. The name of the depositor is required to match the name registered as the depositor when placing the order. Payment shall be made within 7 days from placing the order. The order will be automatically cancelled otherwise.


*Important: All Prices in the website are subject to change without prior notice

Shipping

  • Shipping method : LBC, 2GO, Fedex, DHL, EMS, Air21, AP Cargo, JRC, etc
    Covered destinations : Nationwide
    Shipping cost : may vary on destination and purchase amount
    Shipping time estimate : 2~6 business days(in case of in-stock products). Order-based or imported items may take longer to ship. Please inquire by calling the store or via email whether the item is in-stock or order-based.
    Shipment bound for EMS premium regions : The customer may be required to pay additional cost.

    *Important : Products are to be shipped after the payment is made. Please note that shipping may take longer depending on the products of the order.


     International shipments may be subject to import taxes, duties and customs fees, which are levied once your package reaches the country of destination, and are the responsibility of the recipient. In case that the customer refuses to receive the parcel, the products are to be returned to Philippines and will not be shipped again. According costs(shipping, customs and etc) are the responsibility of the customer and will be deducted from the refund.


Returns & Exchanges

  Please make sure you have selected right options(e.g. size, color and quantity) prior to completing the order.
Once the order is completed, it is assumed that the customer agreed on our exchange/refund policy.
Exchanges and refunds are accepted only if the exchange/refund request is proven valid for the following reasons.

 

Eligible for exchanges and refunds:
On condition that the package (Labels, tags) of the products are intact.
-       Sold out products
-       Wrong item delivered
-       Defective products

-       Shoddy Goods

Ineligible for returns and exchanges:
-       Products with customer-induced damages
-       Products whose value is decreased significantly due to elapsed time or other reasons and are not in condition for re-sale
-       Change of mind

* (Please contact us or Email customer service for details)

 

Exchange/refund procedure
For exchanges/refund, the customer is required to post an exchange/refund request on the “Q&A” board.

The request is to include the reason for exchanges/refunds and the order number.
In case of exchange/refund request due to product defects or wrong item delivered, detailed photos of the products are also required. Exchanges/refunds will be made shortly upon careful examination and confirmation on the reported defects. 


The shipping costs occurring from product defects or wrong item delivered are the responsibility of the channel.com.ph.



>Warranty

channel.com.ph will repair any product under warranty at no charge or replace the unit of the exact model if deemed necessary.


If repair of returned merchandise is necessary due to neglect, damage, misuse, or improper repair by others, a charge will be made for labor, parts, and return freight.



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