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StudioLive RML32AI

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Product Name StudioLive RML32AI
Sale Price Php 170,000.00
Consumer Price Php 187,000.00
Mileage Points :1,700.00

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Product Code P0000JKD
Product Details 32-input Rack-Mount Digital Mixer with Active Integration
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Product Details

StudioLive RML32AI

32-input Rack-Mount Digital Mixer

 with Active Integration


Customization, Connectivity, and Expandability

StudioLive RML32AI: The networkable, rack-mount, mixing and recording solution.

Versatile and flexible for live and recorded sound.

Equally at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the PreSonus® StudioLive® RML32AI 32-channel, 25-bus, rack-mount Active Integration™ digital mixer is a versatile and flexible solution for live sound and recording. StudioLive RML32AI mixers offer 24 mic inputs and 8 combo mic/line inputs and are expandable up to 64 channels. Flawlessly integrated with state-of-the-art software, they boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology.

Networking provides remote control, recording, and more.

Powerful, real-time, wired and Wi-Fi networking enables recording and remote control over all StudioLive RML32AI features. Use the included AVB networking connection or choose optional Dante networking. Control your StudioLive RML32AI wirelessly from anywhere in the venue using free Mac®, Windows®, and iOS® software. Network the RML32AI to a StudioLive AI-series front-of-house console, using the rack-mount mixer as a stage box and monitor mixer. Send and receive networked audio via optional Dante for multitrack recording. Connect to hundreds of Dante-enabled products. Once you’ve used a networked StudioLive RML32AI, you’ll never go back to the old way of mixing!

Control the mixer with hardware and software—from anywhere.

Thanks to PreSonus Active Integration, StudioLive RML32AI mixers can be controlled in multiple ways simultaneously so you can customize your system to suit your needs and workflow. Control the mixer over a wired or wireless network using an array of integrated software for Mac, Windows, and iPad. Add physical control with PreSonus’ StudioLive CS18AI Ethernet/AVB control surface, which features high-quality, touch-sensitive, motorized faders and far more mixer-control features than we can list here—and can control Studio One, too!

Integrated, multiplatform software for flexible control and one-click recording.

PreSonus StudioLive RML-series mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, and iPad®. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One® Artist for low-latency recording with effects. Musicians control their monitor mixes onstage with QMix®-UC for iPhone®/iPod® touch and Android™ devices. Completely automate virtual soundchecks and record shows at up to 96 kHz with Capture™. Tune your system to the room and watch for problems in your mix with UC Surface’s integrated Smaart® wizards, RTA, and spectrograph. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive RML-series mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.

Recording is in StudioLive AI’s DNA.

The StudioLive RML32AI’s built-in 54x34 multitrack recording interface is tightly integrated with the rest of the mixer—not an afterthought we tacked on. All 32 channels and your choice of buses continuously stream to your FireWire- or Dante™-connected Mac or PC. Each channel can independently access its analog input or its dedicated digital return from your computer. And with StudioLive RML mixers, recording is simple and easy: Just launch the included, preconfigured Capture™ software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or any recording software that supports ASIO or Core Audio. Now you can record in the studio or at the gig with equal ease—only with StudioLive.


Inputs and Outputs

·   24 locking XLR mic inputs and 8 combo locking XLR mic-¼” TRS line inputs, each with:

o Recallable XMAX Class A analog mic preamps

o +48V phantom power

·   Stereo tape input (RCA jacks)

·   8 XLR line-level Mix outputs

o Four 300 ms alignment delays on the last four Mix outputs

·   1 DB25 jack mirrors 8 line-level Mix outputs

·   3 XLR main outputs (left, right, mono/center) with analog trim pots

·   S/PDIF digital output on removable option card

·   Headphone output with volume knob and selectable source

·   1x1 MIDI I/O (for future implementation)

Channels and Buses

·   32 internal channels

·   25 mix buses

o 16 aux mix buses

o 3 main mix buses (left, right, mono/center)

o Stereo solo bus

o 4 internal FX buses (2 reverb, 2 delay)

·   Fully integrated, continuously bidirectional, 52-in/34-out, FireWire 800 direct recording interface (24-bit, 44.1/48/88.2/96 kHz)

UC Surface Live Mixing and Control Software

·   Designed specifically for live sound mixing

·   Multiplatform support for Mac®, Windows®, and iPad®

o Windows 8/10 multi-touch-compatible for large touchscreen mixing

o Flexible and expandable computing options: Use a laptop with or without a touchscreen, an iPad, or any combination

·   Contextual-based navigation for quick, intuitive access to all mixing functions

·   8 Mute Groups with All On and All Off

·   Scene Store and Recall

o Global Scene Storage: all current StudioLive RML settings

o Up to 99 at a time

o 8 Quick Scenes for instant scene save/recall—like “speed dial” for scenes

o Automatic Global AutoStore

o Customizable naming (for example, "Saturday Gig" or "Main Worship Service")

·   Individual channel-strip setting storage

o Up to 100 at a time, plus…

o 50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals

o Copy and paste among channels and buses

o Can be saved as user presets

o Can be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more)

·   Contextual Presets System

o Presets filtered by Channel Types

o Quickly audition presets on the fly

o Edit auditioned preset before loading

o Exit Audition mode with out loading to return to previous settings

o Save and load presets on all platforms including iOS

·   Filter DCAs

o Unlimited groups

o Automatic group creation using Channel Types

o Custom groups

·   Security features to monitor and restrict access to the mixer’s controls

Other Actively Integrated Software

·   Capture™ one-click recording software with true virtual soundcheck (Mac/Windows)

·   Studio One® Artist full-featured digital audio workstation software (Mac/Windows)

·   QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store

Networking Connections

·   2 FireWire S800 ports and 1 Ethernet control port with AVB Networking on removable option card. FireWire ports fully compatible with Apple Thunderbolt-to-FireWire adapter.

·   SL-Dante-Mix option card available separately

·   Use AVB to cascade two RM/RML-series mixers to create a larger system (up to 64 channels) or connect the RML mixer to a StudioLive ® AI-series front-of-house console

Signal Processing

·   Dual Fat Channel signal processing on all channels and buses with:

·   Variable highpass filter -6 dB/oct., sweepable from Off to 1 kHz (main channels and auxes only)

·   Variable lowpass filter on the mono/center bus

·   4-band fully parametric EQ

o Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking

o Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0

o High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0

o High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking

o Master EQ On/Off

·   Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release

·   Gate with sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec

·   Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function

·   Limiter: Variable Threshold -28 dBfs to 0, ∞:1 Ratio

·   Pan

·   Stereo link for input channels and aux buses

·   Polarity reverse (input channels only)

·   Quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus

·   15 graphic EQs (for the first 12 aux buses plus the Main left, right, and mono/center buses)

·   4 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated buses

Hardware Controls

·   32 LED meter grid

·   Front-panel Mute All button temporarily mutes all inputs and outputs

·   +48V Meters button to display phantom power assignment on the meter grid

·   Headphone source selection between Main and Cue

·   StudioLive CS18AI AVB control surface available separately


·   High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)

·   Unlimited-headroom, 32-bit floating point, digital mixing and effects processing

·   Internal sample frequency 44.1, 48, 88.2, 96 kHz


3U rack-mount steel chass

Front Panel:



Microphone Preamp

Input Type

24 locking XLR Female, balanced; 8 combo locking XLR mic-¼” TRS line

Frequency Response to Direct Output (at unity gain)

20-40 kHz, ±0.5 dBu

Frequency Response to Main Output (at unity gain)

20-20 kHz, ±0.5 dBu

Input Impedance

1 kΩ

THD to Main Output (1 kHz at unity gain)

0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd

S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)

94 dB

Common Mode Rejection Ratio (1 kHz at unity gain)

65 dB

Gain Control Range (±1 dB)

0 dB to +65 dB

Maximum Input Level (unity gain)

+22 dBu

Phantom Power (±2 VDC)

48 VDC, switchable per channel


Line Inputs


¼” TRS Female (via Combo), Balanced

Maximum Input Level (min. gain, 1 kHz@0.5% THD+N)

+ 18 dBu, ±0.5 dB

Frequency Response (A-D)

20 Hz to 20 kHz, ±0.2 dB

Dynamic Range (min. gain, A-wtd)

> 114 dB

Dynamic Range (mid. gain, unwtd)

> 105 dB

THD+N (1 kHz, -1 dBFS, A-wtd)

< 0.005%

Input Impedance

10 kΩ


Tape Inputs


RCA Female, unbalanced (stereo pair)

Maximum Input Level

+12 dBu


Main Outputs


XLR Male, balanced

Rated Output Level

+24 dBu

Output Impedance



Mix Outputs


XLR Male, balanced

Rated Output Level

+24 dBu

Output Impedance



Headphone Output


¼” TRS Female, active stereo

Maximum Output

100 mW/ch. @ 60Ω load

Frequency Response

20 Hz – 20 kHz (± 0.5 dB)


0.01%, 1 kHz, max gain, 20 Hz BW, unwtd

S/N Ratio

96 dB, 1 kHz, max gain, 20 Hz BW, unwtd


System Crosstalk

Input to Output

-90 dB (Ref = +4 dBu, 1 kHz, unwtd)

Adjacent Channels

-87 dB (Ref = +4 dBu, 1 kHz, unwtd)


Noise Gate / Expander

Threshold Range

-84 dB to 0 dB

Attack Time

0.02s to 500 ms / 0.5 ms

Release Time

0.05s to 2s

Expander Attenuation Range

2:1 (fixed)

Noise Gate Attenuation Range

-84 to 0 dB

Key Filter

2nd-order, resonant bypass; Q=0.7

Key Listen

Off, 40 Hz to 16 kHz


Threshold Range

-56 dB to 0 dB


1:1 to 14:1

Attack Time

0.2 ms to 150 ms

Release Time

40 ms to 1,000 ms

Auto Attack and Release

Attack = 10 ms, Release = 150 ms

Curve Types

hard and soft knee




-56 dB to 0 dB / -28 dBFS




20 ms


10 ms


20 ms


Parametric EQ


2nd-order shelving filter

Low (Lowpass or Bandpass)

36 to 465 Hz, ±15 dB

Low Mid (Bandpass)

90 Hz to 1.2 kHz, ±15 dB

High Mid (Bandpass)

380 Hz to 5 kHz, ±15 dB

High (Highpass or Bandpass)

1.4 kHz to 18 kHz, ±15 dB

Q (sweepable for each band)

0.1 to 4 / Low Q= 0.55, Hi Q=2.0


Graphic EQ

31-Band 1/3-Octave Controls

Center frequencies (Hz): 20, 25, 32, 40, 50, 63, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1k, 1.3k, 1.6k, 2k, 2.5k, 3.2k, 4k, 5k, 6.4k, 8k, 10k, 13k, 16k, 20k. Each band has a constant Q.


±15 dB


Digital Audio

ADC Dynamic Range

118 dB (A-wtd, 48 kHz)

DAC Dynamic Range

118 dB (A-wtd, 48 kHz)


S800, 800 Mb/s

S/PDIF Output

RCA Female

Internal Processing

32-bit, floating point

Sampling Rate

44.1, 48, 88.2, 96 kHz

A/D/A Bit Depth


Reference Level for 0 dBFS

+18 dBu






<20 ps RMS (20 Hz - 20 kHz)

Jitter Attenuation

>60 dB (1 ns in, 1 ps out)





Input-Voltage Range

90 to 240 VAC

Power Requirements (continuous)


Recommended Ambient Operating Temperature

0° to 40° Celsius / 32° to 104° Fahrenheit






7” (17.78 cm)


19” (48.26 cm)


10.5” (26.67 cm)


22 lbs. (8.62 kg)


1. Payment by bank transfer with bank account.(ex.BDO, Metro Bank, etc)

2. Payment via PayPal account : PayPal verified account is required.

3. Payment by credit or debit card via PayPal(Visa, Master, JCB, Amex etc.) : PayPal account is NOT required.

4. Payment by credit card(Visa, Master, JCB, Amex etc.) :3D verified credit cards only are eligible for payment by credit card.

5. Payment by bank transfer without bank account.(ex.LBC, Western Union, etc)


 For payment by bank transfer without bank account, the customer may pay by internet banking or telephone banking. The customer may also make payment at local banks. The name of the depositor is required to match the name registered as the depositor when placing the order. Payment shall be made within 7 days from placing the order. The order will be automatically cancelled otherwise.

*Important: All Prices in the website are subject to change without prior notice


  • Shipping method : LBC, 2GO, Fedex, DHL, EMS, Air21, AP Cargo, JRC, etc
    Covered destinations : Nationwide
    Shipping cost : may vary on destination and purchase amount
    Shipping time estimate : 2~6 business days(in case of in-stock products). Order-based or imported items may take longer to ship. Please inquire by calling the store or via email whether the item is in-stock or order-based.
    Shipment bound for EMS premium regions : The customer may be required to pay additional cost.

    *Important : Products are to be shipped after the payment is made. Please note that shipping may take longer depending on the products of the order.

     International shipments may be subject to import taxes, duties and customs fees, which are levied once your package reaches the country of destination, and are the responsibility of the recipient. In case that the customer refuses to receive the parcel, the products are to be returned to Philippines and will not be shipped again. According costs(shipping, customs and etc) are the responsibility of the customer and will be deducted from the refund.

Returns & Exchanges

  Please make sure you have selected right options(e.g. size, color and quantity) prior to completing the order.
Once the order is completed, it is assumed that the customer agreed on our exchange/refund policy.
Exchanges and refunds are accepted only if the exchange/refund request is proven valid for the following reasons.


Eligible for exchanges and refunds:
On condition that the package (Labels, tags) of the products are intact.
-       Sold out products
-       Wrong item delivered
-       Defective products

-       Shoddy Goods

Ineligible for returns and exchanges:
-       Products with customer-induced damages
-       Products whose value is decreased significantly due to elapsed time or other reasons and are not in condition for re-sale
-       Change of mind

* (Please contact us or Email customer service for details)


Exchange/refund procedure
For exchanges/refund, the customer is required to post an exchange/refund request on the “Q&A” board.

The request is to include the reason for exchanges/refunds and the order number.
In case of exchange/refund request due to product defects or wrong item delivered, detailed photos of the products are also required. Exchanges/refunds will be made shortly upon careful examination and confirmation on the reported defects. 

The shipping costs occurring from product defects or wrong item delivered are the responsibility of the

>Warranty will repair any product under warranty at no charge or replace the unit of the exact model if deemed necessary.

If repair of returned merchandise is necessary due to neglect, damage, misuse, or improper repair by others, a charge will be made for labor, parts, and return freight.

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