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Sale Price Php 280,200.00
Consumer Price Php 308,200.00
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Product Code P0000KBH
Product Details The world’s most affordable and flexible professional broadcast camera for HD and Ultra HD!
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Product Details

Blackmagic URSA Broadcast

The world’s most affordable 

and flexible professional broadcast camera

 for HD and Ultra HD!

URSA Mini Pro


The world’s most affordable and flexible professional broadcast camera for HD and Ultra HD!

Introducing URSA Broadcast, the world’s most affordable and most flexible professional broadcast camera. URSA Broadcast is two cameras in one, an incredible field camera for ENG and programming work, as well as a professional studio camera! URSA Broadcast is perfect for traditional broadcasters because it uses the lenses and batteries you already own, and it also eliminates weird media cards and file formats found on traditional cameras. It records onto regular SD cards and uses the same common file formats found on broadcast media management systems and most NLE software. Plus URSA Broadcast is perfect for web broadcasters because it works with both older after market HD lenses and inexpensive photo lenses. No other broadcast camera is more flexible and more affordable!

Two Cameras in One

Switch instantly between live work or field shooting!

URSA Broadcast is two cameras in one! The compact design, familiar controls and broadcast camera features are ideal for ENG style shooting and vital for working quickly when you’re trying to capture breaking news. Whether you’re in the studio or out in the field, URSA Broadcast will give you incredible image quality, accurate skin tones and vibrant colors that are far superior to cameras costing ten times more. The key is URSA Broadcast's new extended video mode that produces pictures you don’t need to color grade so you can shoot, edit and get stories on air faster than ever before. URSA Broadcast is also the first camera that finally lets AV and web broadcasters afford a true professional broadcast solution that’s dramatically better than DSLRs!

Standard Media and File Formats

Work faster by eliminatingexpensive media and video transcodes!

URSA Broadcast is the first professional broadcast camera designed to work with standard media cards and file formats that are compatible with virtually all broadcast systems and editing software. URSA Broadcast records onto inexpensive standard SD cards, UHS-II cards and CFast cards, and records 1080i or 2160p video into standard .mov files, with .mxf to be added in future updates. URSA Broadcast records using DNx145, DNx220X or ProRes so the files will work with your existing broadcast systems and workflows. You also get a B4 lens mount that works with your existing lenses, or you can swap it for optional EF, F and PL lens mounts so you can use standard photographic lenses. If you’re building a complete broadcast camera chain, the optional URSA Viewfinder, URSA Studio Viewfinder and SMPTE fiber converters feature familiar controls and design, so they operate exactly as experienced camera operators expect. URSA Broadcast helps you get the most value out of your investment in cameras, lenses and accessories, which means you’ll save time and money, so the camera virtually pays for itself!

Broadcast B4 Lens Mount

Use your existing high qualityHD lenses or new Ultra HD lenses!

The broadcast B4 lens mount on URSA Broadcast features high performance cinema quality optics with spherical aberration correction specifically designed to match the camera’s sensor. The ⅔” mount lets you use existing HD lenses or Ultra HD lenses. Many high quality HD lenses can be used at resolutions well beyond HD, all the way up to 2.5K or 3K. Because B4 lenses are par-focal and have a very wide depth of field, the image stays in focus as you zoom in and out, so you don't need to chase focus as you shoot. That lets you work much faster because you don’t need to change lenses or refocus between close up, medium and wide shots, which is perfect when you’re following the action in fast paced sport! You also get full electronic B4 lens control so you can adjust the focus, iris and zoom using the camera’s controls, or remotely from an ATEM switcher using the SDI camera control protocol.

Work in HD or Ultra HD

Incredible 4K imagesensor for wide dynamicrange and wide depth of field

URSA Broadcast features an incredible 4K image sensor and a new extended video mode with better dynamic range and color fidelity. The image sensor is designed for both HD and Ultra HD so you get amazing texture and detail, accurate skin tones, vibrant color and high dynamic range video, all without the need for post production. That means you can shoot, edit and get stories on air fast! The high resolution sensor is a huge advantage, even when working in HD, because you get sub pixel image processing and superior anti-aliasing for super sharp images. URSA Broadcast is a future proof camera that’s versatile enough to use on any HD or Ultra HD production!

Built in Optical ND Filters

High quality neutral densityfilters with IR compensation

URSA Broadcast features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The ¼, 1/16th and 1/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast, providing you with additional latitude and better colorimetry, even under harsh lighting conditions. This lets you use different combinations of aperture and shutter angle, in a wider range of situations. The IR filters have been designed to evenly filter both optical and IR wavelengths. This eliminates the IR contamination usually associated with most ND filters. The ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. The filter settings can be displayed as either a fraction, number, or stop reduction on the LCD.

Non Stop Recording

Works with both standardCFast and SD card media!


Choose the media that works best for you!

SD and UHS‑II cards are inexpensive and commonlyavailable, perfect for recording DNx or ProRes Ultra HDfiles or RAW HD files. CFast cards are ideal for recording RAW.


URSA Broadcast features both dual CFast 2.0 recorders and dual SD/UHS-II card recorders so you can choose the media that works best for you. Both types of media are standard, non-proprietary, inexpensive and readily available at most computer and camera stores. You can record 10-bit broadcast quality DNxHD 145, DNxHD 220X or ProRes files with metadata, making URSA Broadcast compatible with virtually all editing software. That means URSA Broadcast is easy to integrate and fit in to your existing broadcast systems. You can even record lossless 12-bit CinemaDNG RAW files for high quality programming and post production workflows. With dual slots for each media type, URSA Broadcast gives you redundant recorders and non stop recording! When the first card is full, recording automatically continues onto the next card so you can swap one card while recording continues on the other.

Super Tough andRedundant Design

Extremely toughand lightweightmagnesium metal design

URSA Broadcast features a super strong, lightweight magnesium alloy body that’s perfectly balanced and designed to be comfortable enough for all day use. Like traditional broadcast cameras, it features familiar externally mounted mechanical switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to remember and locate by feel, so you can adjust settings without having to look at the buttons or take the camera off your shoulder. You also get a 4” foldout touchscreen for monitoring, or controlling the camera via a revolutionary software interface that provides full redundancy for all of the external controls and camera functions. There are even redundant controls for the power switch! URSA Broadcast also includes full size standard connections for audio via XLR connectors, SDI via BNC connectors and broadcast power input via a standard 4 pin XLR 12V DC connector!

Familiar Broadcast Control

Quickly change settings withouttaking the camera off your shoulder!

URSA Broadcast features independent controls for direct access to the most important camera settings. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. This means you’ll be able to adjust settings, add an ND filter or even change frame rate without having to fold out the touchscreen or take the camera off your shoulder.

Status Display

See critical shooting information in bright daylight!

The status display is a high visibility LCD screen that’s designed to be easily seen, even in bright light! The status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, gain and iris. It also features a battery indicator, card recording status and audio meters for monitoring levels. The screen’s backlight can be turned on when you’re shooting in dimly lit locations, and off when you’re shooting outdoors and in bright light to increase contrast, making it easy to read under any condition!

Dramatic Slow Motion

Capture fast action with smooth flowing slow motion!

Whether you’re shooting a sporting event or breaking news story, URSA Broadcast can shoot super smooth, crystal clear slow motion video. To shoot slow motion video, URSA Broadcast records at higher frame rates and plays back at standard video frame rates. You can set up your preferred high speed frame rate using the camera’s on screen menus and then switch between standard sync speed and off speed frame rates with the touch of a button on the side of the camera. URSA Broadcast can capture full resolution Ultra HD at up to 60 frames per second.



URSA Broadcast is an advanced Ultra HD broadcast camera that works with your existing HD or Ultra HD B4 lenses so you can shoot HD today and switch to Ultra HD when you’re ready! You get professional broadcast controls, built in ND filters, non stop 12-bit recording of ProRes and DNx files to dual SD UHS-IIor CFast cards, and new extended video range for stunning broadcast ready shots that can go straight to air. URSA Broadcast is two cameras in one. Use it for production work or add a Blackmagic URSA Studio Viewfinder to turn it into a live studio camera with remote control and built in color corrector!

Camera Features:

Effective Sensor Size

2/3 inch sensor size when using 4K B4 mount (Actual sensor size 13.056mm x 7.344mm)

Lens Mount

B4 2/3 inch

Lens Control

Electronic control via 12-pin broadcast connector. Control also possible via EF mount pins when using optional URSA Mini Pro EF Mount.

Dynamic Range

12 Stops+

Shooting Resolutions

3840x2160, 1920x1080

Frame Rates

Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Off-speed frame rates up to 60p.

Built in ND Filters

Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop ND filters.


Focus button turns on peaking, auto focus available using compatible lenses with focus servo.

Iris Control

Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.

Screen Dimensions

4 inch.

Screen Type

LCD capacitive touchscreen.

Metadata Support

Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.


Touchscreen menus on 4 inch screen. Push buttons for other controls. 2 assignable shortcut keys.

Timecode Clock

Highly accurate timecode clock. Less than 1 frame drift every 8 hours.


Total Video Inputs

1 x SDI

Total Video Outputs

1 x SDI, 1 x SDI Monitoring.

SDI Rates

1.5G, 3G, 6G, 12G.

Analog Audio Inputs

2 x XLR switchable between mic, line and AES digital audio. Phantom power support.

Analog Audio Outputs

1 x 3.5mm headphone jack, supports iPhone microphone for talkback.

Reference Inputs

Tri-Sync/Black Burst/Timecode.

Remote Control

2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.

Computer Interface

USB Type-C for software updates.

Blackmagic URSA Broadcast



Integrated stereo microphone.

Built in Speaker

1 x mono speaker.


SD Video Standards


HD Video Standards

1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
Interlaced output via SDI 1080i50, 1080i59.94, 1080i60

Ultra HD Video Standards

2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60

SDI Compliance

SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1

SDI Audio Sampling

48 kHz and 24 bit



2 x CFast for 4K RAW and ProRes recording. 2 x SD UHS-II card slots for HD and Ultra HD recording.

Please click here for a summary of compatible media.

Media Format

Can format cards to ExFAT for Windows and Mac or HFS+ for Mac (file systems).

Supported Codecs


DNxHD 220X, DNxHD 145, Apple ProRes 4444 XQ QuickTime, ProRes 4444 QuickTime, ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime and ProRes 422 Proxy QuickTime, CinemaDNG RAW, CinemaDNG RAW 3:1, CinemaDNG RAW 4:1.


External Control

Blackmagic SDI Control Protocol, iPad control via Bluetooth, 2 x 2.5mm LANC for lens and record control.

Color Corrector

Color Corrector

DaVinci YRGB.

Talkback and Tally


SDI Channels 15/16 and iPhone headset.

Live Tally Indicator

Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.

Storage Features

Storage Type

2 x CFast 2.0

2 x SD UHS-II cards

2.5 inch SSD via optional URSA Mini SSD Recorder

Storage Rates

3840 x 2160
Apple ProRes 444 XQ - 250 MB/s
Apple ProRes 444 - 165 MB/s
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes 422 LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s
1920 x 1080
Apple ProRes 444 XQ - 62.5 MB/s
Apple ProRes 444 - 41.25 MB/s
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes 422 LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s
DNxHD 220X - 27.5 MB/s
DNxHD 145 -18.2 MB/s
Storage rates based on 30 frames per second.

Recording Formats

DNxHD 1920x1080 and 1920x1080i with either film, video or extended video dynamic range. Apple ProRes 3840x2160 and 1920x1080 with either film, video or extended video dynamic range. Lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1 with film dynamic range at 3840x2160.

Blackmagic URSA Broadcast

Environmental Specifications

Operating Temperature

0°to 40°C (32° to 104°F)

Storage Temperature

-20°to 45°C (-4° to 113°F)

Relative Humidity

0% to 90% non-condensing

What's Included?

URSA Broadcast body

Turret dust cap

B4 lens mount

Power supply

SD card with software and manual



1. Payment by bank transfer with bank account.(ex.BDO, Metro Bank, etc)

2. Payment via PayPal account : PayPal verified account is required.

3. Payment by credit or debit card via PayPal(Visa, Master, JCB, Amex etc.) : PayPal account is NOT required.

4. Payment by credit card(Visa, Master, JCB, Amex etc.) :3D verified credit cards only are eligible for payment by credit card.

5. Payment by bank transfer without bank account.(ex.LBC, Western Union, etc)


 For payment by bank transfer without bank account, the customer may pay by internet banking or telephone banking. The customer may also make payment at local banks. The name of the depositor is required to match the name registered as the depositor when placing the order. Payment shall be made within 7 days from placing the order. The order will be automatically cancelled otherwise.

*Important: All Prices in the website are subject to change without prior notice


  • Shipping method : LBC, 2GO, Fedex, DHL, EMS, Air21, AP Cargo, JRC, etc
    Covered destinations : Nationwide
    Shipping cost : may vary on destination and purchase amount
    Shipping time estimate : 2~6 business days(in case of in-stock products)
    Shipment bound for EMS premium regions : The customer may be required to pay additional cost.

    *Important : Products are to be shipped after the payment is made. Please note that shipping may take longer depending on the products of the order.

     International shipments may be subject to import taxes, duties and customs fees, which are levied once your package reaches the country of destination, and are the responsibility of the recipient. In case that the customer refuses to receive the parcel, the products are to be returned to Philippines and will not be shipped again. According costs(shipping, customs and etc) are the responsibility of the customer and will be deducted from the refund.

Returns & Exchanges

  Please make sure you have selected right options(e.g. size, color and quantity) prior to completing the order.
Once the order is completed, it is assumed that the customer agreed on our exchange/refund policy.
Exchanges and refunds are accepted only if the exchange/refund request is proven valid for the following reasons.


Eligible for exchanges and refunds:
On condition that the package (Labels, tags) of the products are intact.
-       Sold out products
-       Wrong item delivered
-       Defective products

-       Shoddy Goods

Ineligible for returns and exchanges:
-       Products with customer-induced damages
-       Products whose value is decreased significantly due to elapsed time or other reasons and are not in condition for re-sale
-       Change of mind

* (Please contact us or Email customer service for details)


Exchange/refund procedure
For exchanges/refund, the customer is required to post an exchange/refund request on the “Q&A” board.

The request is to include the reason for exchanges/refunds and the order number.
In case of exchange/refund request due to product defects or wrong item delivered, detailed photos of the products are also required. Exchanges/refunds will be made shortly upon careful examination and confirmation on the reported defects. 

The shipping costs occurring from product defects or wrong item delivered are the responsibility of the

>Warranty will repair any product under warranty at no charge or replace the unit of the exact model if deemed necessary.

If repair of returned merchandise is necessary due to neglect, damage, misuse, or improper repair by others, a charge will be made for labor, parts, and return freight.

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